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ne znam dal se već virtualno raspravljalo o njima, al ko da je uopće važno
ja sam tek jučer nabavila njihov -turn on the bright lights- i ne znam što da drugo kažem nego da sam ostala totalno blown away
pogotovo zbog -stella was a diver and she was always down-
evo sad baš svira
supeeeeer

na kraju/pocetku desetljeća uvijek se pojavi mračan album koji ga obilježi.
60/70 velvet underground - vu & nico
70/80 joy division-closer
80/90 nirvana-nevermind
90/oo interpol-turn on the bright lights

inače, kroz dva mjeseca izlazi novi interpol-antics. ja ga već imam (jebiga) nemixanog doduše. dobar je.jako je dobar.
jedva čekam da ga završe.
sadrzaj je izmijenio/la - electro cute u 14.07.2004 u 20:38:49

eto vam razloga da se nađete.

heh

uh, ovaj osmijeh govori puno. a ja nažalost sutra napuštam zg. matea, morat ćeš se strpit do jeseni.

I'm sick of spending these lonely nights, training myself not to care
(svaka čast steli, al nyc i untitled su najbolje)

Najbolje su zadnje dvije...
Leif Erikson je fenomenalno zatvaranje albuma.

btw, mogli bi otvorit i topik o fenomenalnim zatvaranjima albuma

a i otvaranjima. na hrpu albuma snimljenih u zadnjih par godina najbolja stvar mi je prva. primjer? interpol i pipsi.

slazem se, otvaranje od pipsa je fakat na mjestu, a i zatvaranje

(from my point of view)
najvelebnije i najveličanstvenije zatvaranje ima album "everest" eve braun. pjesma se zove "mediteran".

znam da sam već dosadan, al je otvaranje novog Skroza sa onim zaraznim sintom apsolutno fenomentastično!!!

znaci
imam antics
super, i to na prvo slusanje
meni inace nista ne sjeda na prvo slusanje
ne znam
padaju mi na "pamet" evil i c`mere

mmmmorrre coookiesss.......

Fora je na Interpolovom webu ono s Morseovim znakovima, gore u zaglavlju browsera. Znaš kaj piše?

u svoj svojoj pameti tek mi je sad doslo da bi to moglo bit to.
ne. kaj pise?

mmmmorrre coookiesss.......

scroll down =)

kewl

mmmmorrre coookiesss.......

upravo slušam antics koji sam skinuo odavde:Link.
šta da vam kažem? album je prilično dobar ali ipak za klasu lošiji od prvog. mislim da mu fali ritma i to mnogo, kao i više dobrih pjesama. na turn on... sve su bile dobre, a ovdje ima čak i jako loših. opet, daću mu vremena pa možda me osvoji kao i prvi.

jako jednostavno. najbolji album godine (do sad). recenzija u sljedećem magazinu. pusa.

nemrem skinit ovaj tvoj interpol, al postoji mogućnost, zomri, da si skinuo suhu, nemiksanu verziju koja je bezze.

skroz otvara riječi te, ne?

ne, meni ovo liči na završen proizvod.
a utisak mi se popravio dosta. numerološki prije je bilo 6/10, a sad je 8/10 otprilike, i ne vjerujem da će više rast.

da i onaj početak na sintisajzeru/hammondu i dalje mi je nešto najjebenije što je ikada otvorilo neki album.

isto tako i interpol znaju kako dobro početi. next exit je savršena za otvaranje novog albuma.

btw. jel još neko primjetio da su se interpol na antics pomjerili par koraka prema stadionskom rocku tipa u2?...

ma ti nisi normalan, jebote. to nema veze s mozgom.
al riječi te je jebena, to ti priznam.

deset od deset buraz, deset od deset. album godine.

daj kjut ba nije toliko dobar. ne, nema šanse. 8/10 je moja zadnja ponuda.

baj d vej zavidim ljudima koji mogu napisati recenziju sa OVAKVIM flowom:

Nü Romantiques from Nü York resuscitate fading sounds of life by goosing grooves slow
Part of the Heart of the City
by Mikael Wood
October 12th, 2004 3:15 AM


Haircut-pop lives.
(photo: Jelle Wagenaar)




Interpol
Antics
Matador

s a craftsman of declarative sentences, Interpol frontman Paul Banks is oblique enough to run for president next month. "We have 200 couches where you can sleep tonight," he sang somewhat famously in "PDA," the New York band's indie hit from their 2002 debut, Turn on the Bright Lights, one song after branding the subway a porno and two after describing—well, not describing, but noticing—you stabbing yourself in the neck.

On Antics, Interpol's very fine second album, Banks flatters humans whom I presume to be the ponytailed young women staffing those tiny clothing stores in Nolita thus: "So, baby, make it with me in preparation for tonight." (Confusing because what sort of wild night counts sex as a ramp-up?) "Would you like to be my missus and in future with child?" (Nutty because it wasn't one of Joaquin Phoenix's lines in The Village.) "You're making people's lives feel less private." (Complicated because it sounds sweet, but also like an e-mail to John Ashcroft.)

Banks's sideways lyricism is a good thing for indie rock, a form whose poetry of bullshit has, since the reign of Black Francis and Stephen Malkmus, hardened into meaningless, dispassionate shtick. I like a little mystery in my sex-and-the-city, a predilection the singer happily indulges—whether the result of a carefully honed way with words or last-minute Microsoft Word cutting-and-pasting, I couldn't care less. (I lean toward the former, though, since Banks can blow away the ab-ex fog when he wants to. "You make me want to pick up a guitar and celebrate the myriad ways that I love you," he announces in Antics' zippy lead single, "Slow Hands," whose video restages Limp Bizkit's "Break Stuff" as a gloomy Prada ad.)

Yet as Fred Durst once opined, a chocolate starfish is nothing without hot-dog-flavored water, and what makes Antics such an improvement over Bright Lights is how capable Interpol have become at complementing Banks's lovely ambiguity with an increasingly precise post-punk throb. "Slow Hands" aside, Antics is pretty slow for a Nü York indie-rock record, but it doesn't drag. Not at all, actually: Opener "Next Exit" begins with a dreamy organ drone, then drummer Sam Fogarino cranks up the drumbeat from the Ronettes' "Be My Baby" and guitarist Daniel Kessler lays in a creepy-luau slide-guitar line, as Banks moans about making "this place a heart to be a part of again." In "Length of Love" they goose a groove as metronomic as one of the Hives' with hints of restrained white-shoe funk. And "A Time to Be So Small" justifies the Cure comparisons lobbed at the band, evoking a bottomless melancholy with one of those descending minor-key chord changes Robert Smith writes to keep himself in oversize dress shirts. These little musical gestures work to concretize Banks's idea-feelings, and since he nearly always abjures straight-up imagery, his bandmates offer it instead.

Usually that means trebly, spindly guitar parts tumbling forth like ice into a glass. Though Fogarino displays an admirable enthusiasm for propulsive disco beats on the disc's rockers, and bassist Carlos D steals "Evil" 's show with a bouncy line he stole from Krist Novoselic, Kessler might be Antics' secret star. None of the other chops-averse autodidacts in Interpol's cohort have figured out how to play warm and cool at the same time like he does. A chops-averse autodidact myself, I won't try to explain his

ma super je, jebote, kako nije kad je! a ne da mi se recenzije na ekranu čitat.možda neki drugi put.

hajd jebote, lako ti je napisat recenziju kad živiš tamo. kalčr kleš, totalni.

htio bih se malo vratiti na onu digresiju o najboljim otvaranjima i zatvaranjima albuma. ako mene pitate, najbolje otvaranje ima stampedovo "romantično ljetovanje za dvije (2) osobe" jer "maestral" je pjesma u kojoj su u zvuk pretočeni sunce, more, ljeto, ljubav i sve što uz to ide.

interpol je svakako jedan od najjacih bendova danasnjice. bas sam pre neki dan gledao njihov live na british mtv2 i stvarno su me razvalili. zaista nemerem verovati da neko moze toliko emocija pretociti na live nastup. totalno nestvarno. od samo pocetka koncerta drze mracni ritam i ne ispustaju ga do kraj. fantasticno. inace, cuo sam da ce taj live da objave na duplom cd-u ili dvd-u ili su ga vec objaviti. svakako 10/10

gdje? gdje? HOCU!

p.s. ima neko snimku nastupa?

da.
da li netko ima nekakvu/bilokakvu live snimku od interpola?
i da li ju je voljan podijeliti sa mnom?
možda?


mmmmorrre coookiesss.......

ima.
jedan DVD, i nekolicinu koncerata.