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ja oću jebenu meryl streep i hoffmana.
a onak winslet će dobit. užas



penelope cruz katastrofa.
slumdog je sranje, winslet nisam ni gledala, ali ću ju mrzit ako uzme meryl.

oscari mogu slobodno ukinut sami sebe.

potpis.
i onda se pitaju
sto im pada gledanost.
dosadno, brate.
sve se zna
3 mjeseca prije.

btw, ne vidjoh ga sinoc,
kakav bijase liam?
:)

ošišao se nakratko, lennonke nosi, uvijek isti stav :)
novinarka glupa ko kurac pa je i intervju bio takav

ma jasta.
ona kosijanerka crna, je li?
koji su moroni ti
novinari.
mjesto da ga pripupita
kad je zadnji put smrko,
ko mu je nova zadavacica,
je li mu dosadilo vise
pjevati kopije wonderwall-a?:)
da je socno posalje u pm.:p
nadam se da sa sezdeset godina
dodju u sarajevo ili u zagreb, bar.:)

obožavam liama.

reko je da uopće ne priča s noelom :D

:D
legenda!

i sama sheparda.
lijepo piše...
a i sliče.
nonšalantni i svoji.

sam shepard je napisao senarij za paris, texas. jedan od, ako ne i najbolji film ikad.

piše i pjesme...

meryl streep je onak savršena bila. lijepo je potratila oko 4 sata svog života na sjedenje u prvom redu.

jebote

danas je neki tip na tv rekao da mickeya rourka zovu rork i da je na oskare došao po svog oskara i da je sjedio tamo ko neki patriot :D

Link

ona oscar ceremonija je bila odvratna.

gran torino

razaračina!!!

clint, kralju, pomislih da je gotovo s tobom kad si uradio changeling, ali majstor ostaje majstor :)

to je užasno loš film. pun klišeja i loše glume.

meni se isto svidio.
koliko svi biflaju svoje lajne,
bas mi nekako lego. ne znam objasniti zasto.
beton je ona scena kad sestra
dolazi izmlacena doma.

odličan film...nekoliko antologijskih scena. da ne spojlam sad.

sinoć sam išao u kino gledat hrvača. dojam je sad još bolji. kad je miki stao gore da napravi ram jam na kraju filma, uff, zbediralo me, malo je falilo da ne zaplačem. i onda sam tamo sam ostao sjedit gledajuć odjavnu špicu dok je bruce pjevao, a lik šta radi tamo me gledao vjerojatno misleći koja je ovo izgoretina . ma boli me kurac

nadam se da će mi lucija sredit poster

i ja bih volio otici pogledati
ga u kinu. samo kod nas dodje,
al' u limburgu mesecu.

samo dvije riječi: gran torino

iaoko je nekako cudno felerican, ijope odlican.
najbolja scena kad dodje prebijena sestra.

trierov antichrist Link

pa djecko!

jedva čekam: the men who stare at goats
Link

kluni legenda je unutra, a i the dude se vratio. izgleda super!
to se ne propušta, a-a

izgleda ko coeni a nije
ne vjerujem da će valjati, a recka na avclubu koju pročitah takođe ne daje nadu u optimizam :/

sumnjičavi zomri :)))

uvijek skeptik, nikad narkoleptik :P

evo i recki sa avcluba:

The Men Who Stare At Goats
Director/Country/Time: Grant Heslov/USA/93 min.
Cast: George Clooney, Ewan McGregor, Jeff Bridges, Kevin Spacey, Stephen Root
Program: Gala
Headline: Reporter learns the secret history of Army psychics
Noel’s Take: There's a gag early in the eccentric military comedy The Men Who Stare At Goats that pretty much sums up what the movie's about. George Clooney, playing one of a secret cadre of American super-soldiers, is driving into Iraq with hapless reporter Ewan McGregor by his side, and is demonstrating his ability to disperse clouds with his mind. Then, while staring at the sky, he drives into a boulder. If you think that's funny, you're in luck, because The Men Who Stare At Goats offers about two dozen variations on the idea of an idealistic know-it-all either missing what's right in front of him or insisting he's doing something unusual when he's actually just using fists and weapons like any other grunt. For the most part this shtick made me laugh pretty consistently, largely due to Clooney's sincere line deliveries and crack screwball timing. (And it doesn’t hurt Goats’ satirical edge that the “warrior for peace” attitude is all too real, as weird as it may sometimes seem.) But the movie’s tone goes too broad too often, and while it’s amusing to see uniformed men talk earnestly about embracing the code of the Jedi (especially when they’re sharing this code with McGregor, who knows a thing or two about Jedis), the relentless whimsicality and boisterous “are we having fun yet?” score works much harder than it needs to. After all, this is a story about a “New Earth Army” full of misfit military men yearning for a chance to be non-conformists with a cause. It’s already two-thirds of the way to being awesome; if it had eased back on the throttle a bit, Goats might not have stalled out before it made it the rest of the way.
Scott’s Take: As Noel says, this is a one-joke comedy, and one that wore thin for me about a third of the way through, when the details behind a secret military psych-ops unit are revealed and the witty back-and-forth between McGregor and a very sharp Clooney gives way to a more sprawling set of characters and complications. But in his debut feature (he and Clooney are longtime producing partners), Heslov makes a lot of bad decisions: Noel already mentioned the score, and to that I’d add the voiceover narration and his inability to harness the hippy-dippy notion of a “warrior for peace” into a coherent political statement. By the time Heslov finally breaks out the LSD and lets the mugging go completely unchecked, I had long since tuned out.
Noel's Grade: B; Scott's Grade: C

pusti zomri kritike. pa čovječe nema mjesta na netu gdje nisam naišao na pohvale inglorious basterdsima...da bi se, kad sam ga odgledao, ispostavilo da su basterdsi tipično tarantinovsko izdrkavanje. jebote, tip je antikreativan. užas. htio sam reći da mi kritike ništa ne znače dok sam ne pogledam film. tako će biti i s ovim filmom.